Review of A Man Called Otto (2022) by Thomas Floyd for Washington Post — 04 Jan 2023
Working together for the first time since 2004’s “Finding Neverland,” director Marc Forster and screenwriter David Magee have reimagined Holm’s vision by scaling back the cynicism, softening the central character’s tragic backstory and dulling the black comedy.
Yet it’s Hanks’s performance that sets this Hollywood remake apart from the original.
You can read the full review where it was originally posted online.
This review of A Man Called Otto (2022) was written by Thomas Floyd and published by Washington Post on 04 January 2023.
A Man Called Otto has generally received positive reviews.
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