Review of After Yang (2022) by Tasha Robinson for Polygon — 27 Jan 2022
After Yang is intensely internal and personal, as grief so often is, which guarantees it won’t connect with a wide audience. But as a collection of images and moods, all gently nudging at that central question of what defines a person, it’s gravely hypnotic.
It’s an old question, asked in a new way, with deepest gravity and respect.
You can read the full review where it was originally posted online.
This review of After Yang (2022) was written by Tasha Robinson and published by Polygon on 27 January 2022.
After Yang has generally received positive reviews.
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