Review of After Yang (2022) by Ann Hornaday for Washington Post — 02 Mar 2022
After Yang again demonstrates Kogonada’s mastery of form, framing and composition. But audiences will be forgiven for wanting to reach through the screen to mess it up a little, if only to inject some recognizable warmth and spontaneity.
You can read the full review where it was originally posted online.
This review of After Yang (2022) was written by Ann Hornaday and published by Washington Post on 02 March 2022.
After Yang has generally received positive reviews.
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