Review of After Yang (2022) by Octanenitro — 11 Apr 2022

After Yang spends so much time trying to craft a thematically-rich piece of high art, it fails to pay enough attention to the fundamentals. The film doesn't develop its setting at all, while also lacking interesting characters and a comprehensible plot. Sadly, whispered monologues and esoteric flashbacks can only get you so far - at some point, you actually have to DO something with the themes and foundations you've laid.

Arguably the most engaging part of the film is how it portrays human connections in a world governed by cold technology, with the same privacy and "you'll own nothing and enjoy it" issues present in our world today. Unfortunately, the film's central family dynamic is similarly cold: "the good times" are hardly shown at all, and we're simply told that Yang was a beloved part of the family via unconvincing dialogue.

The film's plot is equally sparse. Despite being fairly focused at first, after a while, it devolves into flashback after flashback, and conversation after slow conversation, killing any forward momentum before the film unceremoniously ends. At points, it actually becomes difficult to follow, with characters (some with the same name?) popping up for a scene or two and then vanishing.

Overall, it's clear that this was created strictly for an indie, film festival audience. There's nothing wrong with that, but After Yang is far from a modern classic. It's bitter medicine, reluctantly taken and dubiously effective.