Review of Aftersun (2022) by A.o. Scott for The New York Times — 20 Oct 2022
It’s hard to find a critical language to account for the delicacy and intimacy of this movie. This is partly because Wells, with the unaffected precision of a lyric poet, is very nearly reinventing the language of film, unlocking the medium’s often dormant potential to disclose inner worlds of consciousness and feeling.
You can read the full review where it was originally posted online.
This review of Aftersun (2022) was written by A.o. Scott and published by The New York Times on 20 October 2022.
Aftersun has generally received very positive reviews.
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