Review of All the Money in the World (2017) by Mick Lasalle for San Francisco Chronicle — 27 Dec 2017
It’s as realized a thriller as you are likely to find, not only in the precision of its performances, but in its evocative use of location (Rome, London), its period detail (especially Williams’ clothing) and the tension of the younger Getty’s months-long captivity.
You can read the full review where it was originally posted online.
This review of All the Money in the World (2017) was written by Mick Lasalle and published by San Francisco Chronicle on 27 December 2017.
All the Money in the World has generally received positive reviews.
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