Review of All the Old Knives (2022) by Michael O'sullivan for Washington Post — 06 Apr 2022
The framing device of the conversation between Henry and Celia, which includes a bit of flirtation, necessitates a certain ennui, though director Janus Metz (“Borg vs. McEnroe”) does his level best to open up the claustrophobic setting with frequent jaunts to other times and locales.
Come to think of it, there’s an air of a tennis match to the proceedings of All the Old Knives, with its two protagonists playing a mental game of volley and return, as it were.
You can read the full review where it was originally posted online.
This review of All the Old Knives (2022) was written by Michael O'sullivan and published by Washington Post on 06 April 2022.
All the Old Knives has generally received mixed reviews.
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