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Last updated: 23 Apr 2025 at 17:23 UTC

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Review of by Kate Taylor for Globe and Mail — 25 Nov 2018

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The results are highly affecting – so much so, that viewers who suffer from motion sickness may find the film hard to watch. If the approach feels empathetic rather than pretentious, it’s thanks to a crucial anchor: Willem Dafoe’s subtle and humble performance conjures a pitiable van Gogh, shredded by doubt and estranged from people, yet urgently aware of his painterly vision.

You can read the full review where it was originally posted online.

This review of At Eternity's Gate (2018) was written by and published by Globe and Mail on 25 November 2018.

At Eternity's Gate has generally received positive reviews.

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