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Last updated: 23 Apr 2025 at 10:26 UTC

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Review of by Odie Henderson for RogerEbert.com — 14 Nov 2014

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Beyond the Lights makes unapologetically damning statements about the music industry’s treatment of women, yet it never feels preachy. It strikes a risky, though successful balancing act between being immensely entertaining as a musical feature and making dramatic, important statements about depression, self-worth and female empowerment.

You can read the full review where it was originally posted online.

This review of Beyond the Lights (2014) was written by and published by RogerEbert.com on 14 November 2014.

Beyond the Lights has generally received positive reviews.

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