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Last updated: 23 Apr 2025 at 17:04 UTC

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Review of by Charles Bramesco for The Guardian — 11 Feb 2022

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With his work now migrating online and his jerry-rigged methods increasingly outsourced to post-production effects, Jeunet can’t avoid the impending digitization of cinema, nor life. Still, he’s not going down without landing a few good fingers to the ribs first.

You can read the full review where it was originally posted online.

This review of Bigbug (2022) was written by and published by The Guardian on 11 February 2022.

Bigbug has generally received mixed reviews.

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