Review of Black Adam (2022) by Richard Brody for The New Yorker — 28 Oct 2022
Black Adam feels like a place-filler for a movie that’s remaining to be made, but, in its bare and shrugged-off sufficiency, it does one positive thing that, if nothing else, at least accounts for its success: for all the churning action and elaborately jerry-rigged plot, there’s little to distract from the movie’s pedestal-like display of Johnson, its real-life superhero.
You can read the full review where it was originally posted online.
This review of Black Adam (2022) was written by Richard Brody and published by The New Yorker on 28 October 2022.
Black Adam has generally received mixed reviews.
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