Review of Causeway (2022) by A.o. Scott for The New York Times — 03 Nov 2022
Causeway is both thin and heavy-handed, its plot overly diagramed and its characters inadequately fleshed out. The burden of making it credible falls disproportionately on Henry and Lawrence, superb actors who do what they can to bring the script’s static and fuzzy ideas about pain, alienation and the need for connection to something that almost resembles life.
You can read the full review where it was originally posted online.
This review of Causeway (2022) was written by A.o. Scott and published by The New York Times on 03 November 2022.
Causeway has generally received positive reviews.
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