Review of Corsage (2022) by Anthony Lane for The New Yorker — 02 Jan 2023
What Kreutzer aims to impress upon us is the effect of smothering and constraint—not only upon her heroine but also upon the female sex, at every social stratum, under Habsburg rule.
You can read the full review where it was originally posted online.
This review of Corsage (2022) was written by Anthony Lane and published by The New Yorker on 02 January 2023.
Corsage has generally received positive reviews.
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