Review of Cyrano (2021) by A.o. Scott for The New York Times — 24 Feb 2022
From the moment Cyrano enters the action, his charisma and intelligence are on splendid display, and Dinklage — jaunty, melancholy, sly — takes possession of the movie. But that means that the argument on which the drama depends is over before it has even begun.
You can read the full review where it was originally posted online.
This review of Cyrano (2021) was written by A.o. Scott and published by The New York Times on 24 February 2022.
Cyrano has generally received positive reviews.
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