Review of Dunkirk (2017) by Nick Newman for The Film Stage — 19 Jul 2017
A constant movement unmoored from all but the present moment (however porously “present” is defined here) pushes Nolan forward as a visual stylist and suspense-crafter — lots of portent in the images of armies and crafts, plenty of faith in his actors to look concerned or outright distressed — as it stalls out Dunkirk in most other respects.
You can read the full review where it was originally posted online.
This review of Dunkirk (2017) was written by Nick Newman and published by The Film Stage on 19 July 2017.
Dunkirk has generally received very positive reviews.
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