Review of Earwig and the Witch (2021) by Lillian Crawford for Little White Lies — 29 Dec 2021
Doing his part to keep his father’s work alive and relevant, Gorō Miyazaki steers the Ghibli ship even further away than Yonebayashi dared, resulting in the studio’s most cheerily radical film to date.
You can read the full review where it was originally posted online.
This review of Earwig and the Witch (2021) was written by Lillian Crawford and published by Little White Lies on 29 December 2021.
Earwig and the Witch has generally received mixed reviews.
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