Review of Elvis (2022) by A.o. Scott for The New York Times — 23 Jun 2022
In the end, this isn’t a biopic or a horror movie or a cautionary parable: It’s a musical, and the music is great. Remixed, yes, and full of sounds that purists might find anachronistic. But there was never anything pure about Elvis Presley, except maybe his voice, and hearing it in all its aching, swaggering glory, you understand how it set off an earthquake.
You can read the full review where it was originally posted online.
This review of Elvis (2022) was written by A.o. Scott and published by The New York Times on 23 June 2022.
Elvis has generally received positive reviews.
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