Review of Emergency (2022) by Jake Kring-Schreifels for The Film Stage — 22 Jan 2022
Despite highlighting some chaotic encounters, Williams isn’t interested in explosions and one-dimensional, hell-bent villains. His focus remains on the way years of criminalization can impact decision-making and friendships, and, as his last shot suggests, how distinct sounds can traumatize even as they’re meant to help.
You can read the full review where it was originally posted online.
This review of Emergency (2022) was written by Jake Kring-Schreifels and published by The Film Stage on 22 January 2022.
Emergency has generally received positive reviews.
Was this review helpful?
Yes
No
