Review of EO (2022) by Manohla Dargis for The New York Times — 17 Nov 2022
No movie that I’ve seen this year has moved me as deeply, made me feel as optimistic about cinema or engaged me with such intellectual vigor as “EO,” whose octogenarian genius auteur and all the donkeys who play EO — Hola, Tako, Marietta, Ettore, Rocco and Mela — deserve all the love and the carrots, too.
You can read the full review where it was originally posted online.
This review of EO (2022) was written by Manohla Dargis and published by The New York Times on 17 November 2022.
EO has generally received positive reviews.
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