Review of EO (2022) by Liam Lacey for Original-Cin — 27 Nov 2022
What draws us in is the inventive and luminous cinematography from Michal Dymek (with additional footage by Pawel Edelman and Michal Englert), using drone shots, fish-eye lenses and red and blue filters.
Accompanied by an unsettling electronic score, the donkey-in-a-disco effect is trippy, a hallucinogenic projection of what it might be like to live in an animal’s consciousness, including its dreams and flashbacks.
You can read the full review where it was originally posted online.
This review of EO (2022) was written by Liam Lacey and published by Original-Cin on 27 November 2022.
EO has generally received positive reviews.
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