Review of Every Body (2023) by Michael O'sullivan for Washington Post — 27 Jun 2023
The otherwise sober-minded film relies heavily on music cues that are sometimes a little too on the nose, as when a cover of Roy Orbison’s “Pretty Woman” plays under scenes of Weigel preparing to testify in front of legislators who see gender only as black and white.
You can read the full review where it was originally posted online.
This review of Every Body (2023) was written by Michael O'sullivan and published by Washington Post on 27 June 2023.
Every Body has generally received mixed reviews.
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