Review of Everything Everywhere All at Once (2022) by Tasha Robinson for Polygon — 01 Apr 2022
Everything Everywhere’s multiverse is a remarkably flexible metaphor. It’s equally suitable for expressing some common frustrations the audience may relate to, about botched choices and wasted opportunity.
But it’s just as suited for setting up a series of ridiculously kickass action sequences where literally anything is possible, because the characters aren’t bound by reality or causality.
You can read the full review where it was originally posted online.
This review of Everything Everywhere All at Once (2022) was written by Tasha Robinson and published by Polygon on 01 April 2022.
Everything Everywhere All at Once has generally received very positive reviews.
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