Review of Framing Agnes (2022) by Matt Fagerholm for RogerEbert.com — 02 Dec 2022
What makes Chase Joynt’s first solo outing as a feature director, Framing Agnes, such essential viewing is the extent to which it sheds new light on the legacy of trans Americans from the past century and beyond, whose voices are only just beginning to emerge from the vault of obscurity.
You can read the full review where it was originally posted online.
This review of Framing Agnes (2022) was written by Matt Fagerholm and published by RogerEbert.com on 02 December 2022.
Framing Agnes has generally received positive reviews.
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