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Last updated: 23 Apr 2025 at 09:43 UTC

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Review of by Matt T — 14 Mar 2015

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Steven Soderbergh's "Full Frontal" is insanely misunderstood. It's deliberately confusing and unapologetically experimental. They experiment with narrative, cinematography, acting and dialogue and editing.

This is Soderbergh's send up to pretentious Hollywood. I really don't see how that couldn't be any clearer with it's purposefully messy cinematography, reality questioning film within a film plot and it's "Hitler" character.

The movie is full of zany, truthful characters (especially Catherine Keener and David Hyde Pierce) and juicy, wacky monologues (Keener scores here again). It's a sort of post-modernist take on Robert Altman.

I thought it was a lot of fun but I can certainly understand the universal hate, though it's not called for.

This review of Full Frontal (2002) was written by on 14 March 2015.

Full Frontal has generally received mixed reviews.

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