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Last updated: 23 Apr 2025 at 16:35 UTC

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Review of by Pauline Kael for The New Yorker — 07 Jun 2022

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The film’s sophistication is compromised by the rather dumb plot, but some of the numbers—especially “Think Pink” and “Bonjour Paris”—are standouts.

You can read the full review where it was originally posted online.

This review of Funny Face (1957) was written by and published by The New Yorker on 07 June 2022.

Funny Face has generally received positive reviews.

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