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Last updated: 23 Apr 2025 at 17:09 UTC

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Review of by Stuart K — 06 Feb 2015

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Directed by Steven Shainberg (Secretary (2002)), this is a biopic with a difference. It isn't. Shainberg used Patricia Bosworth's biography Diane Arbus: A Biography as a template for this film.

But they made a fictional story up which focused on how Arbus became renowned for her photography. It's a very peculiar film, but it's one which has to be seen to believed in places. In 1958, Diane Arbus (Nicole Kidman) works as an assistant to her photographer husband Al (Ty Burrell), whose work was funded by David and Gertrude Nemerov (Harris Yulin and Jane Alexander), Diane's parents.

Diane wants to do photography of her own, but is struggling to find inspiration. That is until she meets the mysterious neighbour who has recently moved in upstairs. Lionel Sweeney (Robert Downey Jr.), who has a bit of a secret.

However, when Diane see's Lionel for what he is, Diane falls in love with him, and his band of misfit friends, and even moves in with in, much to the horror of Al, who wants Diane to be normal. It's a very unusual film, but it has some brilliant performances in it, and you'll see why the film is called Fur, but it lives up to it's subtitle as being an imaginary portrait.

What Diane Arbus would have made of it, we'll never know, but there is a tender romance at the heart of this film, and it's well made as well.

This review of Fur: An Imaginary Portrait of Diane Arbus (2006) was written by on 06 February 2015.

Fur: An Imaginary Portrait of Diane Arbus has generally received mixed reviews.

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