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Last updated: 23 Apr 2025 at 17:35 UTC

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Review of by Bob Graham for San Francisco Chronicle — 10 Jan 2006

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The most striking effect of the Technicolor process is its subtlety. The viewer is aware of the gradations of flesh tones in Leigh's face and can see the color rise in her cheeks. The exact color of her eyes is a source of fascination (they are gray-blue with flashes of green).

You can read the full review where it was originally posted online.

This review of Gone with the Wind (1939) was written by and published by San Francisco Chronicle on 10 January 2006.

Gone with the Wind has generally received very positive reviews.

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