Review of Happy End (2017) by Michael O'sullivan for Washington Post — 07 Feb 2018
Happy End, for its part, signals a return to form for the director, who here makes a stark departure from the sweet tone of “Amour” — perhaps his most mainstream work — in favor of the vinegary outlook on life manifested in such films as “Funny Games,” his 2007 horror movie about violently psychopathic home invaders, and “The White Ribbon,” his 2009 pre-World War I period piece about, among other things, child abuse.
You can read the full review where it was originally posted online.
This review of Happy End (2017) was written by Michael O'sullivan and published by Washington Post on 07 February 2018.
Happy End has generally received positive reviews.
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