Review of Hover (2018) by Ben Kenigsberg for The New York Times — 27 Jun 2018
Hover is reasonably resourceful for its first hour, during which it appears to have turned budget restrictions into an asset, keeping the focus on ideas instead of effects. The last act, though, is a total whiff — too rushed, too riddled with plot holes and too incongruously hopeful to take seriously.
You can read the full review where it was originally posted online.
This review of Hover (2018) was written by Ben Kenigsberg and published by The New York Times on 27 June 2018.
Hover has generally received negative reviews.
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