Review of Hustle (2022) by Richard Brody for The New Yorker — 14 Jun 2022
Though with little in the way of directorial originality, character development, or social perspective to recommend it, “Hustle” manages to turn a clattery plot and a treacly sentimentality into a refracted self-portrait, a work of personal cinema.
You can read the full review where it was originally posted online.
This review of Hustle (2022) was written by Richard Brody and published by The New Yorker on 14 June 2022.
Hustle has generally received positive reviews.
Was this review helpful?
Yes
No
