Review of Inu-Oh (2022) by Manohla Dargis for The New York Times — 12 Aug 2022
Even as Yuasa’s approach changes from section to section — as he plays with texture, volume and hue and gently shifts the balance between the figurative and the abstract — his extraordinary touch remains evident in each line and in every eye-popping swirl.
You can read the full review where it was originally posted online.
This review of Inu-Oh (2022) was written by Manohla Dargis and published by The New York Times on 12 August 2022.
Inu-Oh has generally received very positive reviews.
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