Review of Ladyworld (2019) by Phil Hoad for The Guardian — 13 Jan 2020
Too many scenes of sub-vaudeville witchy cavorting suggest Kramer hasn’t completely mastered her own poetic register. But it is bracing to watch her reach for the stylised impact needed to carry her ideas about social identity; exactly the kind of the expressive messiness this wing of the post-#MeToo film industry should be engaging in if the old order isn’t going to reimpose itself.
You can read the full review where it was originally posted online.
This review of Ladyworld (2019) was written by Phil Hoad and published by The Guardian on 13 January 2020.
Ladyworld has generally received mixed reviews.
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