Review of Marnie (1964) by Matthew C — 05 Jun 2014

One of Hitchcock's "heaviest" films if not the heaviest in terms of the subject matter and style of story. Usually Hitch's films are more on the mysterious side and even have a fantasy element about them.

Not in the sense that they could never happen or that it's unrealistic, but you as an audience member are well removed from the stories and though you relate to the characters, you feel a certain safety.

Marnie doesn't live in this realm. It's not an adventure or large thriller but instead is a very human drama that deals with abuse and deep scars that have haunted many people throughout all time.

In ways Marnie is like Vertigo in the exploration of a condition, but the source of this condition is much more horrific. Like Rebecca, there is a mystery surrounding why a character is the way they are and how other characters cover it up.

I think it's overlooked because it isn't as high concept or memorable in its imagery and performances but its harrowing tale could basically be branded as "based on a true story". This one will stay with you.

Its resolution is neater and less haunting than other Hitch films but it challenges, reminds, and points to how great sin is the cause for more sin. In this way it's one of Hitch's more spiritual films and probably less understood than his other famous tales.