Review of Mary Poppins Returns (2018) by Anthony Lane for New Yorker — 14 Dec 2018
In short, those of us who pursue Mariolatry — the worship of all things Poppins — are free to delight in this film. Indeed, it shifts a little nearer than its predecessor did to the spiky, peppery briskness of Travers’s tales, and the whole enterprise exhales, as it should, an air of the politely mad.
You can read the full review where it was originally posted online.
This review of Mary Poppins Returns (2018) was written by Anthony Lane and published by New Yorker on 14 December 2018.
Mary Poppins Returns has generally received positive reviews.
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