Review of Medusa (2021) by Marya E. Gates for RogerEbert.com — 29 Jul 2022
Eliciting powerful performances from her two leads and striking visuals from cinematographer João Atala, “Medusa” casts its gaze at the hypocritical and violent world of purity culture with unflinching honesty that will leave the audience spellbound long after the credits roll.
You can read the full review where it was originally posted online.
This review of Medusa (2021) was written by Marya E. Gates and published by RogerEbert.com on 29 July 2022.
Medusa has generally received mixed reviews.
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