Review of Munich (2005) by Jonathanh. — 03 Feb 2006
Just left this movie half an hour before it ended. When it's not just plain dull its indulging in little orgies of pornographic violence. I left at the moment two Israeli agents decided it would be a good moment to kill a half-naked Dutch assasinette using guns disguised as bicycle pumps.
Well, they were in bicycle saturated Holland after all. I didn't wait to see anyone be bludgeoned to death with a baguette in France, stabbed through the heart with a brolly in London or smothered with a pizza in Italy Spielberg reveals the same clumsy touch as Woody Allen in Matchpoint when it comes to European characters and places.
How does he announce a move to Paris for all the dummies in his audience? Huge pan across the skyline with the Eiffel tower playing the lead naturally. Pathetic. And the French godfather character! Please! Invites his Israeli guest to help him cook.
Wow, what an amazing juxtaposition of hardman/softman, he who does all the nasty, viscious things in order to protect and provide for his family, because of course no family could survive without millions of dollars blood money being drip-fed into their bank accounts, could they? Well that crap didn't wash in The Godfather (you don't get involved in violent crime in the first place - that's the best way to safeguard your family, and maybe you get a job.
.. bozo!) Inbetween tedious meetings with Day of the Jackal refugees we get a lot of emotional stuff too. Wrestling with consciences and the rest, but when the story has done nothing to generate sympathy or interest in the paper thin characters its all utterly meaningless.
I wouldn't dignify the politics of this film with any serious political analysis. Don't know the end but I hear 9/11 makes an appearance...oh dear, Mr Subtlety strikes again.
This review of Munich (2005) was written by Jonathanh. on 03 February 2006.
Munich has generally received very positive reviews.
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