Review of Nanny (2022) by Manohla Dargis for The New York Times — 23 Nov 2022
Jusu draws fluidly from different genres and modes in “Nanny” — from scene to scene, the movie plays like an immigration drama, a lonely woman melodrama and a cruel labor farce — but at one point you realize that what you are watching looks, sounds and feels like a horror movie.
You can read the full review where it was originally posted online.
This review of Nanny (2022) was written by Manohla Dargis and published by The New York Times on 23 November 2022.
Nanny has generally received mixed reviews.
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