Review of Neptune Frost (2022) by A.o. Scott for The New York Times — 02 Jun 2022
This isn’t a tight, tidy allegory of capitalism and colonialism so much as a collage of vivid images, sounds and words that punch the movie’s themes like hashtags. Williams and Uzeyman marry anarchist politics with anarchist aesthetics, making something that feels both handmade and high-tech, digital and analog, poetic and punk rock.
You can read the full review where it was originally posted online.
This review of Neptune Frost (2022) was written by A.o. Scott and published by The New York Times on 02 June 2022.
Neptune Frost has generally received positive reviews.
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