Review of Neptune Frost (2022) by Sarah-Tai Black for The Globe and Mail (Toronto) — 09 Sep 2021
While Neptune Frost is at no loss for multi-faceted thinking, its development of these concepts too often remains at the surface of meaning. The Black futures envisioned here are largely concerned with aesthetics and, while sonically and visually lush, seem hollow in comparison to the range of their full potential.
You can read the full review where it was originally posted online.
This review of Neptune Frost (2022) was written by Sarah-Tai Black and published by The Globe and Mail (Toronto) on 09 September 2021.
Neptune Frost has generally received positive reviews.
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