Review of Nope (2022) by Richard Brody for The New Yorker — 26 Jul 2022
Nope is one of the great movies about moviemaking, about the moral and spiritual implications of cinematic representation itself—especially the representation of people at the center of American society who are treated as its outsiders.
It is an exploitation film—which is to say, a film about exploitation and the cinematic history of exploitation as the medium’s very essence.
You can read the full review where it was originally posted online.
This review of Nope (2022) was written by Richard Brody and published by The New Yorker on 26 July 2022.
Nope has generally received positive reviews.
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