Review of Parallel Mothers (2021) by Richard Brody for The New Yorker — 03 Jan 2022
Almodóvar pursues the politics of memory with uninhibited vigor, with a relentlessly physical immediacy that endows his tale of startling coincidences with the power of documentary.
You can read the full review where it was originally posted online.
This review of Parallel Mothers (2021) was written by Richard Brody and published by The New Yorker on 03 January 2022.
Parallel Mothers has generally received very positive reviews.
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