Review of Peter von Kant (2022) by Beatrice Loayza for The New York Times — 01 Sep 2022
Fassbinder’s work finds a kind of truth in the artifice of emotionally plumped-up dramas, but Ozon’s often tedious tragicomedy never hits such a stride, trusting that the material will automatically confer greatness; instead, “Peter” comes off like top-shelf fan-fiction.
You can read the full review where it was originally posted online.
This review of Peter von Kant (2022) was written by Beatrice Loayza and published by The New York Times on 01 September 2022.
Peter von Kant has generally received positive reviews.
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