Review of Peterloo (2018) by Wendy Ide for Observer (UK) — 04 Nov 2018
Leigh’s egalitarian insistence on voices for all means that there are a few too many of them in play. Still, there is a fascinating wealth of detail, both in the vividly recreated period backdrop and, more remarkably, given the sheer volume of people on screen, in the characters, however fleetingly they appear.
You can read the full review where it was originally posted online.
This review of Peterloo (2018) was written by Wendy Ide and published by Observer (UK) on 04 November 2018.
Peterloo has generally received positive reviews.
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