Review of Rear Window (1954) by Peter Rainer for New York Magazine/Vulture — 01 Jan 2000
The clearest example of a Hitchcock movie that functions on dual levels: It's both mousetrap and abyss.
You can read the full review where it was originally posted online.
This review of Rear Window (1954) was written by Peter Rainer and published by New York Magazine/Vulture on 01 January 2000.
Rear Window has generally received very positive reviews.
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