Review of The B-Side: Elsa Dorfman's Portrait Photography (2017) by Jeffrey M. Anderson for Combustible Celluloid — 20 Jul 2017
It manages to feel quietly moving and quietly profound in unexpected ways, and I think it is Morris's best film in a long time.
You can read the full review where it was originally posted online.
This review of The B-Side: Elsa Dorfman's Portrait Photography (2017) was written by Jeffrey M. Anderson and published by Combustible Celluloid on 20 July 2017.
The B-Side: Elsa Dorfman's Portrait Photography has generally received positive reviews.
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