Review of The Gray Man (2022) by David Ehrlich for IndieWire — 14 Jul 2022
The algorithmic results don’t reflect well on the Russo brothers’ directing chops — their monumental spandex operas seldom required and never displayed the kind of muscular imagination needed to stage Michael Bay-like fight sequences — but The Gray Man is even more damning for Netflix itself, particularly so far as it epitomizes the streamer’s penchant for producing mega-budget movies that feel like glorified deepfakes of classic multiplex fare.
You can read the full review where it was originally posted online.
This review of The Gray Man (2022) was written by David Ehrlich and published by IndieWire on 14 July 2022.
The Gray Man has generally received mixed reviews.
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