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Last updated: 23 Apr 2025 at 12:31 UTC

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Review of by Richard Brody for The New Yorker — 03 Aug 2021

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In The Green Knight, Lowery revises a legend, in style and in substance, in order to evoke a way of telling different stories, and of telling stories differently. He takes the risk of perpetuating a deluded gospel of evil, or of seeming to do so, in a daring effort to dramatize a world in desperate need of artistic redemption.

You can read the full review where it was originally posted online.

This review of The Green Knight (2021) was written by and published by The New Yorker on 03 August 2021.

The Green Knight has generally received positive reviews.

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