Review of The Last House on the Left (2009) by Sean Axmaker for Seattle Post-Intelligencer — 10 May 2016
Iliadis is more visually sophisticated than Craven was in 1972 and works hard to sustain the mood and tension while still hitting the audience with blunt scenes of wincing violence. (It gets grisly and grotesque enough for gore hounds.).
You can read the full review where it was originally posted online.
This review of The Last House on the Left (2009) was written by Sean Axmaker and published by Seattle Post-Intelligencer on 10 May 2016.
The Last House on the Left has generally received mixed reviews.
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