Review of The Many Saints of Newark (2021) by Richard Brody for The New Yorker — 04 Oct 2021
Over six seasons The Sopranos at least compensated for its reductive aesthetic with complex patterns of narrative information. The Many Saints of Newark, by contrast, reduces characters of potentially mythic power to a handful of defining traits and pins them to a diorama-like backdrop of historical readymades.
You can read the full review where it was originally posted online.
This review of The Many Saints of Newark (2021) was written by Richard Brody and published by The New Yorker on 04 October 2021.
The Many Saints of Newark has generally received mixed reviews.
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