Review of The Midwife (2017) by Vikram Murthi for RogerEbert.com — 20 Jul 2017
The Midwife eventually devolves into a blandly sentimental register in its second half, which prominently features two mediocre subplots: the cute, but dull romance featuring Olivier Gourmet (“The Son”) and a half-hearted critique of techno-capitalism in the medical field.
You can read the full review where it was originally posted online.
This review of The Midwife (2017) was written by Vikram Murthi and published by RogerEbert.com on 20 July 2017.
The Midwife has generally received positive reviews.
Was this review helpful?
Yes
No
